D&D Meets the Real World - RJ Parker's "Requiem, Changing TImes"

Title: Requiem, Changing Times

Author: R J Parker

Publisher: Olympia Publishers

Published: September 2019

Goodreads Summary: Clint and Corbin are having a weird day. Best friends for life, things are getting a little strange around their town, and at school. When they're followed by a strange man looking for Clint and later attacked by an imp, it makes sense to retreat to the safety of home. But when strangers from another world, Banks and O'Neil, arrive with their medley of allies, things get even weirder. Why are they here? What do they want? And what is The Requiem that everyone keeps talking about? As Clint and his friends and family are drawn deeper into a thrilling adventure, only one thing is for sure. They may not be getting out alive. And class with Mrs Christenson will seem like a walk in the park after this.

My Thoughts: Okay, let's dive in. This book is non-stop action from start to finish. Any time things start to slow down, a dwarf crashes through a window, everyone gets shot by arrows, or a troll crashes the Halloween Dance. Each battle scene is well thought out, very akin to a D&D (Dungeons and Dragons) combat encounter. In fact, this book draws very heavily (like super super heavily) from D&D. Not only does Parker borrow races, and creatures, he even uses the same classes as D&D - druid and paladin stand out the most. Don't get me wrong, I love D&D. I've participated in multiple campaigns, and am currently playing a gnome grandma (code name: Gwam-Gwam) who happens to be a druid. The game can get crazy, ridiculous, and terrifying, and it's fun, but when being adapted to a written story it would need heavy editing and some re-writing to be successful. Requiem, Changing Times does not do this. 

The plethora of typos, grammar mistakes, general formatting errors, and rough writing made me wonder if this book had even been edited. In fact, I believe that a good editor would make this book much more palatable. The story is interesting, and most of the characters are fairly well developed, but the "first-draft"iness of the book ruins what could be awesome plot points. For example, I really liked the characters Tamara, Kayla, Banks and Nix, but their characteristics seemed to fluctuate greatly from chapter to chapter. I know Tamara goes through a total personality change, so I'll let that one slide. Characters may face horrible trials that change them as a person, but they still have a base personality that needs to stay consistent for their responses to stimuli to make sense. 

The characters in this book don't seem to have that base line consistency. I realize half of them are teenagers, but their personalities were a jumble of contradictions that didn't work together. I would say especially Corbin. That kid not only annoyed the heck out of me, but really wasn't that great of a friend. Clint keeps stating how great of a friend Corbin is, but I never saw it. The boy sabotages Clint at every turn, and is plain rude the rest of the time. Maybe that's just how teenage boys are, I don't know because I was never one. However, I do know something about teenage girls, and Parker's portrayal of them was ridiculous. Almost all the high school interactions felt like something from a TV show. Yes, there's bullying and weirdness and hormones, but no one is so absolutely ridiculous and vain as Amber. No one takes selfies right after almost being blown-up. I could go on about how stereotypical everyone was, but I'll spare you.  

In the end the story itself isn't bad, but the execution is. This book has enough material and crazy plot points to be something really unique and wonderful, if it just had some decent editing and rewriting. 

Rating:  1/5 trees

Guest post by David Smith, author of Letters to Strabo

Hey faithful readers, 

Today's guest post comes from author David Smith, who recently published his fourth novel, Letters to Strabo.

I'm always fascinated by the names authors choose to give their characters. For example, I don't think J. K. Rowling gave any of her Harry Potter characters a name without putting an endless amount of thought into it.

Here's a little bit from the author of Letters to Strabo on how he chose names for his characters:

Letters to Strabo – naming the characters

Behind every great love is an epic story waiting to be told.

My fourth novel Letters to Strabo is both a love story and a coming-of-age tale, set in the late 1970s. It takes the form of a fictional odyssey recorded with disarming honesty by my protagonist, an innocent young American writer called Finn Black. 

His adventures, both funny and evocative, follow closely the itinerary taken by Mark Twain on his own tour around the Mediterranean a century earlier in: The Innocents Abroad. The novel is structured around the seventeen chapters of the ancient Greek Strabo’s great work: Geographica; a book that Twain quoted from extensively in his own tale. In Finn’s words:

"I researched how famous travel writers made their first journeys for a series of articles. It fascinated me how they all took something worthwhile out of that first experience on the road, whether they later became writers, journalists or even philosophers. It opened my eyes to all sorts of new possibilities I wanted that life. I wanted to get going, to write and make my fortune. Find out what had really happened to my pa and maybe find a bit more of that mythical free love I’d been missing, too.”

Finn’s full name is Adam Finnegan Black. The ‘Finnegan’ has dual meaning. It’s a nod to Mark Twain (Huckleberry Finn) but also to James Joyce ‘Finnegan’s Wake.’ There’s a connection between these two as Joyce once joked that the end of Finnegan (i.e. the word fin in French) was such a good Twain joke that it deserved a good wake (the Irish celebration before a funeral).

I gave Finn the first name Adam, because I’d already chosen the name Eve for his pen-pal Eve, the beautiful archivist he meets at Olana in the Catskills at the beginning of the novel. Their love story is the thread throughout the book, described through her Letters to Strabo. Adam is also referred to by his friend Ahmet, a boy that Finn meets in Turkey when he shows him a photograph of Eve: “’A very beautiful woman and a very beautiful name,’ he said. ‘You know Adam means man in Turkish so it is fitting.’”

Finn’s surname Black reflects the fact that his father Jerry Black was a descendant of the US Attorney-General Jeremiah Black. Finn refers to his surname at the beginning of the novel “Well as for Black, I fear that all too well describes the recent temperament of my heart. But so be it.” Finn spends part of the novel searching to find out what happened to his father, a professional diver, when he drowned in Alexandra in 1962.

Actually giving names to characters can be a lot of fun, almost a god-like activity. One of the themes running through the novel is Homer’s Odyssey, another Mediterranean journey often referred to by Strabo in his great work. 

So Françoise Circe, the french girl he meets in Spain and then journeys with to Paris and Venice is a reference to the witch Circe that Odysseus meets on the island of Colchys. She invited them all to a grand feast, but one of the dishes was laced with a magical potion which changed his companions into pigs – a word Françoise quite often uses to describe men she doesn’t like: “’Come on Finn, allons nous,’ she said. ‘I don’t like that ignorant man. He’s swine. He’s likes a PIG.’”

Finn also later meets two Italians in Naples: Galatea and Martino, whose nickname is Polifemo. The latter’s subsequent death at the hands of Galatea, in Finn’s presence, is a reference to the killing of the one-eyed giant Polyphemus by Odysseus; Galatea being the “milk-white” object of the giant’s desire.

Finally the girl Nicky that Finn meets on Mykonos while he is lying asleep and naked on a lonely beach after washing his clothes: “I was woken from my siesta by a beach ball landing on my head, quickly followed by the sound of girls giggling. I realized my carefully positioned towel had fallen off my waist. I was completely naked.” 

She is named after Nausicaa the beautiful princess who almost steals Odysseus’s heart and leaves him a message: “Farewell stranger,’ he said. ‘Do not forget me when you’re safe at home again, for it is to me first that you owe a ransom for having saved your life.’”




About the author:

David Smith is a British author who has now published four works under the Troubador imprint. His first novel Searching For Amber has been described as "A powerful and notably memorable debut" with a review describing it as "masterly and confident" and another as "Extraordinary, poetic, enchanting, sublime". In addition to writing, he is currently CFO of a blue chip UK public company and lives near the South Coast in England with his wife and three teenage children.

https://www.davidsmithauthor.blog

How to scare people

So, I don't usually post stuff about writing on this blog, because that's not really what it's about. But given the fact that a lot of readers are also writers, I thought I'd make an exception. Plus, it's Halloween. Plus, I found this article REALLY helpful.

Writing scary stories can be hard (how do you Poe), but when you manage it, it's perfection. I love scary stories, and I always get the urge to write one once October rolls around, but writing a story that's actually scary is really tricky, and I always worry that my stories fall flat on the scare factor.

So here's some advice for you writers of the macabre:

http://firewords.co.uk/blog/2016/10/19/8-quick-tips-how-to-scare-your-reader

Happy haunting!


Until tomorrow.